Aur Bleddyn & Darya Williams 6.11.25 - 3.12.25
Sain Cofio is a digital living room, a living archive constructed from personal objects associated with memories of Wales from its diaspora, culminating in a shared experience of Welsh cultural memory and explored through live conversations between Darya and Aur. We meet here with a new object or memory throughout the residency, co-building a living room of our personal necessities for remembering and performing Wales from afar. You are invited for a paned or dishgled, to look through our archive, pick up a recipe, look at our performative books and eavesdrop as we discuss our relationship with Wales.
Beginning with an empty living room, we question what exists in the space between the places we’ve exiled to and Wales and how do we imagine Wales from outside. How are memories filling the gaps, and how can we capture this in a tangible way? Throughout the residency we will explore various objects in our surroundings, the mundane and the symbolic that hold personal significance to our experiences of the Welsh diaspora. We explore allegiances between our diverse understandings of Welshness, using personal archives and memories to unite our subjectivities. The personal archives hold anecdotes, humour, shared experiences and unexplainable irony, the present and past in a non linear space: diary pages, band merchandise, archived clips and family recipes.
Through live conversations we aim to revisit cultural markers and understand the objects from personal anecdotes, family connections and un-romanticised memories to question their significance to understand how we enact, remember, or perform our Welshness. As a digital space, this living room opens up the conversation to other Welsh diaspora, an invitation to explore multifaceted and diverse ideas of Welshness, fostering a shared space for reflection on cultural memory to create a living archive and resource from memory.
Darya and Aur met through Peak Cymru’s residency PEGWN - brought together to explore language and land, they found other overlapping experiences and interests grounded in Welsh identity. They are exploring ways of collaborating to develop their shared interest in Welsh cultural memory.
Aur is an Artist-Curator from mid Wales with an MA in Contemporary Curating from Manchester School of Art. Their research focuses on how collaborative curatorial methods can actively engage with cultural memory- focusing on interdisciplinary, participatory and durational techniques. They’re interested in creating spaces for this engagement with Welsh cultural memory, collaborating to reveal alternative narratives through the mundane and every-day rituals and re-imagining presupposed views of Welsh identity.
Darya Saoirse Williams is a spatial designer and MA Architecture student at the Royal College of Art. Originally from Aberdare and now based in London, her current work explores how cultural memory, language, and landscape can shape architectural intervention. She has explored alternative approaches to the remediation of post-industrial land through ritual, procession, and bilingual design methods. Drawing from her Welsh-Iranian heritage and architectural background, she develops participatory, place-based strategies that challenge extractive legacies and engage with ways of taking a measure of the land.
︎ @aur_bleddyn
︎ @cyfunoliaeth
Sain Cofio is a digital living room, a living archive constructed from personal objects associated with memories of Wales from its diaspora, culminating in a shared experience of Welsh cultural memory and explored through live conversations between Darya and Aur. We meet here with a new object or memory throughout the residency, co-building a living room of our personal necessities for remembering and performing Wales from afar. You are invited for a paned or dishgled, to look through our archive, pick up a recipe, look at our performative books and eavesdrop as we discuss our relationship with Wales.
Beginning with an empty living room, we question what exists in the space between the places we’ve exiled to and Wales and how do we imagine Wales from outside. How are memories filling the gaps, and how can we capture this in a tangible way? Throughout the residency we will explore various objects in our surroundings, the mundane and the symbolic that hold personal significance to our experiences of the Welsh diaspora. We explore allegiances between our diverse understandings of Welshness, using personal archives and memories to unite our subjectivities. The personal archives hold anecdotes, humour, shared experiences and unexplainable irony, the present and past in a non linear space: diary pages, band merchandise, archived clips and family recipes.
Through live conversations we aim to revisit cultural markers and understand the objects from personal anecdotes, family connections and un-romanticised memories to question their significance to understand how we enact, remember, or perform our Welshness. As a digital space, this living room opens up the conversation to other Welsh diaspora, an invitation to explore multifaceted and diverse ideas of Welshness, fostering a shared space for reflection on cultural memory to create a living archive and resource from memory.
Darya and Aur met through Peak Cymru’s residency PEGWN - brought together to explore language and land, they found other overlapping experiences and interests grounded in Welsh identity. They are exploring ways of collaborating to develop their shared interest in Welsh cultural memory.
Aur is an Artist-Curator from mid Wales with an MA in Contemporary Curating from Manchester School of Art. Their research focuses on how collaborative curatorial methods can actively engage with cultural memory- focusing on interdisciplinary, participatory and durational techniques. They’re interested in creating spaces for this engagement with Welsh cultural memory, collaborating to reveal alternative narratives through the mundane and every-day rituals and re-imagining presupposed views of Welsh identity.
Darya Saoirse Williams is a spatial designer and MA Architecture student at the Royal College of Art. Originally from Aberdare and now based in London, her current work explores how cultural memory, language, and landscape can shape architectural intervention. She has explored alternative approaches to the remediation of post-industrial land through ritual, procession, and bilingual design methods. Drawing from her Welsh-Iranian heritage and architectural background, she develops participatory, place-based strategies that challenge extractive legacies and engage with ways of taking a measure of the land.
︎ @aur_bleddyn
︎ @cyfunoliaeth
Esyllt Angharad Lewis & Carlota Sousa Nóbrega 2.11.25 - 30.11.25
In this digital residency, Esyllt Lewis and Carlota Sousa Nóbrega will give continuation to their ongoing collaboration, The Process.
Prompted by their shared curiosity about the act and performativity of making artwork, The Process is a set of nine steps, devised by the artists to lead them to the creation of work. By performing these steps, the artists test the boundaries between process and outcome, exploring the act of making art as artwork in itself.
These steps are simple, repeatable, and deliberately open-ended, designed to be revisited each time they come together. Until now, The Process has always taken place in person; however, in this digital residency, Carlota and Esyltt will enact it online for the first time - and you are invited to take part!
Over three weeks, the artists will meet online every Thursday (9th, 16th, and 23rd of November) to perform The Process with three guests. Through this exercise, the artists and their guests will explore meaningful ways of sharing ideas and creating work in a digital space, revealing how collaborative creativity can emerge beyond the studio. The meetings will be live streamed, offering audiences the chance to observe, reflect, and engage with the unfolding work in their own way.
The artifacts emerging from each meeting - sketches, notes, ideas and more - will be collected and compiled into a digital zine that will later be published alongside the meetings’ recordings on the Arcade Campfa’s website. Together, the recordings and zine will not only document the residency but also become part of the work itself, a living footprint of The Process that took place.
If you’d like to join them in The Process follow the link below.
︎ Eventbrite.
In this digital residency, Esyllt Lewis and Carlota Sousa Nóbrega will give continuation to their ongoing collaboration, The Process.
Prompted by their shared curiosity about the act and performativity of making artwork, The Process is a set of nine steps, devised by the artists to lead them to the creation of work. By performing these steps, the artists test the boundaries between process and outcome, exploring the act of making art as artwork in itself.
These steps are simple, repeatable, and deliberately open-ended, designed to be revisited each time they come together. Until now, The Process has always taken place in person; however, in this digital residency, Carlota and Esyltt will enact it online for the first time - and you are invited to take part!
Over three weeks, the artists will meet online every Thursday (9th, 16th, and 23rd of November) to perform The Process with three guests. Through this exercise, the artists and their guests will explore meaningful ways of sharing ideas and creating work in a digital space, revealing how collaborative creativity can emerge beyond the studio. The meetings will be live streamed, offering audiences the chance to observe, reflect, and engage with the unfolding work in their own way.
The artifacts emerging from each meeting - sketches, notes, ideas and more - will be collected and compiled into a digital zine that will later be published alongside the meetings’ recordings on the Arcade Campfa’s website. Together, the recordings and zine will not only document the residency but also become part of the work itself, a living footprint of The Process that took place.
If you’d like to join them in The Process follow the link below.
︎ Eventbrite.
Ben Cones 18.12.24 - 31.12.24
The Digital Archive is the continuation of a project that explores the unchecked proliferation of artificial intelligence in today's society, through satirical commentary in graphic design and art I blur the lines between fiction and reality, highlighting the seemingly inevitable dystopian future we have in store.
The project envisions a museum's website as it might appear 40 years in the future. Visitors are invited to explore this platform, where a new ‘exhibition’ will be added to the ‘Events’ page each week for the duration of the residency.
︎ crensko.xyz/
The Digital Archive is the continuation of a project that explores the unchecked proliferation of artificial intelligence in today's society, through satirical commentary in graphic design and art I blur the lines between fiction and reality, highlighting the seemingly inevitable dystopian future we have in store.
The project envisions a museum's website as it might appear 40 years in the future. Visitors are invited to explore this platform, where a new ‘exhibition’ will be added to the ‘Events’ page each week for the duration of the residency.
︎ crensko.xyz/
Sophie Lindsey 2.9.24 - 19.9.24
my colleagues: an exploration of printers and work
For this online residency, Sophie is developing a new body of work called ‘my colleagues’; an exploration of our relationship with printers in the workplace.
Informed by the superstition that in order for printers to work reliably you need to be kind to them, Sophie will consider the role and agency of these overlooked electronic workers and the essential admin they perform. Through drawing on the conventions of affirmations, small talk, and office politics, ‘my colleagues’ will be an exploration of work, office culture, and the machine coworkers we sit side by side.
Sophie Lindsey is a Cardiff based artist who works across GIFs, performance, workshops, video, and public-space interventions. Through a visual art, curatorial and writing practice, Sophie creates projects that look to prioritise generosity, understanding, and fun!
my colleagues: an exploration of printers and work
For this online residency, Sophie is developing a new body of work called ‘my colleagues’; an exploration of our relationship with printers in the workplace.
Informed by the superstition that in order for printers to work reliably you need to be kind to them, Sophie will consider the role and agency of these overlooked electronic workers and the essential admin they perform. Through drawing on the conventions of affirmations, small talk, and office politics, ‘my colleagues’ will be an exploration of work, office culture, and the machine coworkers we sit side by side.
Sophie Lindsey is a Cardiff based artist who works across GIFs, performance, workshops, video, and public-space interventions. Through a visual art, curatorial and writing practice, Sophie creates projects that look to prioritise generosity, understanding, and fun!
︎ sophielindsey.co.uk
Delphi Campbell & Mort Drew
Faggoting on the Radio
Faggoting on the Radio is a weekly radio show broadcast live from the artists bedrooms / kitchens / public parks / cafes, as they meet virtually and in person to knit together. Contact microphones attached to knitting needles are mixed alongside open microphones to gather the sounds of domestic and everyday space.
Broadcasting live once a week for 2 weeks during the residency with broadcast lasting around 2 hours. These broadcasts are available to listen to here alongside an IRC, inviting you to sit with us and meet in a web 1.0 style chat room, returning the online space as meeting place.
Delphi Campbell is a multidisciplinary artist whose practice is rooted in self-portraiture. The objects she produces map out each facet of her being, ranging from clinical diagnoses to favourite TV shows. Campbell’s practice reflects a life lived on an intersection; the raw and ravaging experiences of being a crippled, mad and queer woman alongside the unbridled joy and love that exists in these identities.
Mort Drew is a creative technician working on live audio broadcasts, anti-hierarchical sound systems, and installations. Their practice explores ephemerality, activist radio, grief and displacement. Their work appears as broadcasts, workshops, publications, sound devices and performances.
/////
Faggoting on the Radio
Rhaglen radio wythnosol yw Faggoting on the Radio sy’n cael ei ddarlledu’n fyw o geginau / parciau / caffis / ystafelloedd gwely’r artistiaid, wrth iddyn nhw gwrdd yn rhithiol ac yn y cnawd i wau gyda’i gilydd. Caiff meicroffonau cyswllt sydd yn atodedig at weill eu cymysgu â meicroffonau agored er mwyn casglu synau gofodau bob dydd a gofodau domestig.
Byddant yn darlledu unwaith yr wythnos am bythefnos yn ystod y preswyliad gyda’r darllediad yn para oddeutu 2 awr. Mae’r darlleniadau hyn ar gael i wrando arnynt fan hyn ar y cyd ag IRC, gan eich gwahodd i eistedd gyda ni a chyfarfod mewn stafell sgwrsio rhithiol fel fyddai’n digwydd yn nyddiau cynnar y wê, gan ddychwelyd y gofod ar-lein i fod yn ofod o gyd-gyfarfod.
Artist amlddisgyblaethol yw Delphi Campbell sy’n gwreiddio ei hymarfer mewn hunan-bortreadu. Mae’r gwrthrychau mae hi’n eu cynhyrchu yn mapio pob elfen o’i bodolaeth, o ddiagnosisau clinigol hyd at ei hoff raglenni teledu. Mae ymarfer Campbell yn adlewyrchu bywyd wedi ei fyw ar groesdoriad; y profiadau amrwd a difrodol a ddaw o fod yn fenyw cripl, gwyllt ac anabl ynghyd â’r llawenydd penrhydd a’r cariad sy’n bodoli o fewn yr hunaniaeth yma.
Technegydd creadigol yw Mort Drew sy’n gweithio ar ddarllediadau sain byw, systemau sain gwrth-hierarchaidd, a gosodiadau. Mae ei ymarfer yn archwilio byrhoedledd, radio ymgyrchol, galar a dadleoliad. Mae’r gwaith yn ymddangos fel darllediadau, gweithdai, cyhoeddiadau, dyfeisiau sain a pherfformiadau.
︎ delphicampbell.com
︎ @gravemere_
Faggoting on the Radio
Faggoting on the Radio is a weekly radio show broadcast live from the artists bedrooms / kitchens / public parks / cafes, as they meet virtually and in person to knit together. Contact microphones attached to knitting needles are mixed alongside open microphones to gather the sounds of domestic and everyday space.
Broadcasting live once a week for 2 weeks during the residency with broadcast lasting around 2 hours. These broadcasts are available to listen to here alongside an IRC, inviting you to sit with us and meet in a web 1.0 style chat room, returning the online space as meeting place.
Delphi Campbell is a multidisciplinary artist whose practice is rooted in self-portraiture. The objects she produces map out each facet of her being, ranging from clinical diagnoses to favourite TV shows. Campbell’s practice reflects a life lived on an intersection; the raw and ravaging experiences of being a crippled, mad and queer woman alongside the unbridled joy and love that exists in these identities.
Mort Drew is a creative technician working on live audio broadcasts, anti-hierarchical sound systems, and installations. Their practice explores ephemerality, activist radio, grief and displacement. Their work appears as broadcasts, workshops, publications, sound devices and performances.
/////
Faggoting on the Radio
Rhaglen radio wythnosol yw Faggoting on the Radio sy’n cael ei ddarlledu’n fyw o geginau / parciau / caffis / ystafelloedd gwely’r artistiaid, wrth iddyn nhw gwrdd yn rhithiol ac yn y cnawd i wau gyda’i gilydd. Caiff meicroffonau cyswllt sydd yn atodedig at weill eu cymysgu â meicroffonau agored er mwyn casglu synau gofodau bob dydd a gofodau domestig.
Byddant yn darlledu unwaith yr wythnos am bythefnos yn ystod y preswyliad gyda’r darllediad yn para oddeutu 2 awr. Mae’r darlleniadau hyn ar gael i wrando arnynt fan hyn ar y cyd ag IRC, gan eich gwahodd i eistedd gyda ni a chyfarfod mewn stafell sgwrsio rhithiol fel fyddai’n digwydd yn nyddiau cynnar y wê, gan ddychwelyd y gofod ar-lein i fod yn ofod o gyd-gyfarfod.
Artist amlddisgyblaethol yw Delphi Campbell sy’n gwreiddio ei hymarfer mewn hunan-bortreadu. Mae’r gwrthrychau mae hi’n eu cynhyrchu yn mapio pob elfen o’i bodolaeth, o ddiagnosisau clinigol hyd at ei hoff raglenni teledu. Mae ymarfer Campbell yn adlewyrchu bywyd wedi ei fyw ar groesdoriad; y profiadau amrwd a difrodol a ddaw o fod yn fenyw cripl, gwyllt ac anabl ynghyd â’r llawenydd penrhydd a’r cariad sy’n bodoli o fewn yr hunaniaeth yma.
Technegydd creadigol yw Mort Drew sy’n gweithio ar ddarllediadau sain byw, systemau sain gwrth-hierarchaidd, a gosodiadau. Mae ei ymarfer yn archwilio byrhoedledd, radio ymgyrchol, galar a dadleoliad. Mae’r gwaith yn ymddangos fel darllediadau, gweithdai, cyhoeddiadau, dyfeisiau sain a pherfformiadau.
︎ delphicampbell.com
︎ @gravemere_
Cinzia Mutigli 4.5.24 - 31.5.24
Songs are a new strand of development in my practice. During the residency I’m testing unfinished works in progress in a series of experimental online presentations of a selection of songs with simple animations and integrated lyric texts. The subjects are interconnected across issues of mental health, violent politics, dream states and the socio-economics of place. The songs draw on my childhood experience of hymn singing and pop references. Across the next few weeks I’ll share mixes and remixes of these songs and images.
I am an artist, based in Cardiff working across film, audio, print, animation, performance and text. In my work I explore themes that layer and connect through the personal, social, spiritual and psychological.
Current and recurring modalities, forms and motifs include (my) voice, popular cultural icons, wellness and self-care in a late capitalist / digital age context, and how the ‘individual’ connects with the ‘group’.
︎ cinziamutigli.com
Songs are a new strand of development in my practice. During the residency I’m testing unfinished works in progress in a series of experimental online presentations of a selection of songs with simple animations and integrated lyric texts. The subjects are interconnected across issues of mental health, violent politics, dream states and the socio-economics of place. The songs draw on my childhood experience of hymn singing and pop references. Across the next few weeks I’ll share mixes and remixes of these songs and images.
I am an artist, based in Cardiff working across film, audio, print, animation, performance and text. In my work I explore themes that layer and connect through the personal, social, spiritual and psychological.
Current and recurring modalities, forms and motifs include (my) voice, popular cultural icons, wellness and self-care in a late capitalist / digital age context, and how the ‘individual’ connects with the ‘group’.
︎ cinziamutigli.com
Aisha Ajnabi & Radha Patel 15.4.24 - 28.4.24
DARCH is the collaborative practise of Aisha Ajnabi (Umulkhayr Mohamed) and Radha Patel formed in March 2023, and a culmination of 6 years of work individually. As artists of colour, we wanted to take this as an opportunity to self-direct our creative practice and develop work we know is important, such as to support people to work through ancestral grief related to colonialism, displacement, capitalism / being poor, familial trauma, the environment. DARCH is grounded in finding creative ways to articulate care centered practices for people of colour, with a politic grounded in solidarity and liberation. DARCH overlaps shared elements of our practices namely rituals, shrine building, animism and ancestral honoring and relationships to land through sound work, conversations and storytelling.
Our residency at ArcadeCampfa researches different cultural rituals that create containers of processing and validating colonial/ancestral grief and liberatory rage. Grief and rage, despite being characterized as unruly/undesirable emotions, are in fact indicators of health within a global structure of racial capitalism & cisheteronormative patriarchy, which shame us into disconnecting from our bodies in moments of intense feeling, as a way to position our bodies' intense capacity to feel, and are inherently unsafe and unproductive.
Through exploratory conversations and archival research, we'll create our own grief/rage ritual that explores the relationship between grief and rage, using vocal embodiment and sound as a healing entity. The ritual will center the experiences of both queer people of colour and the more than human, creating a container that holds a process of releasing misplaced shame that is connected to grief and rage and exploring how giving ourselves the space to feel grief and rage may bring about renewed connection to our liberation.
︎ ahklmruuy
︎ a_nice_island
DARCH is the collaborative practise of Aisha Ajnabi (Umulkhayr Mohamed) and Radha Patel formed in March 2023, and a culmination of 6 years of work individually. As artists of colour, we wanted to take this as an opportunity to self-direct our creative practice and develop work we know is important, such as to support people to work through ancestral grief related to colonialism, displacement, capitalism / being poor, familial trauma, the environment. DARCH is grounded in finding creative ways to articulate care centered practices for people of colour, with a politic grounded in solidarity and liberation. DARCH overlaps shared elements of our practices namely rituals, shrine building, animism and ancestral honoring and relationships to land through sound work, conversations and storytelling.
Our residency at ArcadeCampfa researches different cultural rituals that create containers of processing and validating colonial/ancestral grief and liberatory rage. Grief and rage, despite being characterized as unruly/undesirable emotions, are in fact indicators of health within a global structure of racial capitalism & cisheteronormative patriarchy, which shame us into disconnecting from our bodies in moments of intense feeling, as a way to position our bodies' intense capacity to feel, and are inherently unsafe and unproductive.
Through exploratory conversations and archival research, we'll create our own grief/rage ritual that explores the relationship between grief and rage, using vocal embodiment and sound as a healing entity. The ritual will center the experiences of both queer people of colour and the more than human, creating a container that holds a process of releasing misplaced shame that is connected to grief and rage and exploring how giving ourselves the space to feel grief and rage may bring about renewed connection to our liberation.
︎ ahklmruuy
︎ a_nice_island
Kialy Tihngang 23.10.23 - 6.11.23
I'll be using my Digital Residency to present research for my recent body of work, Fetissoes, where I speculate that a group of enslaved African people jumped overboard their captors ship into the ocean and combine European maritime technology (the master’s tools) with fetishes (African religious objects with magical powers) to create tools to safely return home underwater.
My research crosses into modern and historic traditional African religious practice, European perceptions of African fetishes, the resultant Christianisation of former African colonies, the persistent, pernicious cultural impact of Christian mission work therein, and my own fraught relationship with Christianity as a colonial import. It will be presented in the form of imagined chain messages and memes. Updated daily, I will use primitive animation, gifs, and other vestiges of Web.0 to create these images, fabulating evidence of viral, colonial digital mission work.
︎ kialytihngang.com
I'll be using my Digital Residency to present research for my recent body of work, Fetissoes, where I speculate that a group of enslaved African people jumped overboard their captors ship into the ocean and combine European maritime technology (the master’s tools) with fetishes (African religious objects with magical powers) to create tools to safely return home underwater.
My research crosses into modern and historic traditional African religious practice, European perceptions of African fetishes, the resultant Christianisation of former African colonies, the persistent, pernicious cultural impact of Christian mission work therein, and my own fraught relationship with Christianity as a colonial import. It will be presented in the form of imagined chain messages and memes. Updated daily, I will use primitive animation, gifs, and other vestiges of Web.0 to create these images, fabulating evidence of viral, colonial digital mission work.
︎ kialytihngang.com
Philippa Brown 9.10.23 - 20.10.23
During the residency with Arcadecampfa, I will be creating and posting a short film 'sketch' everyday for 12 days between 9th-20th October, a daily Horror-scape. I will use the platform to investigate lo-fi filming and editing, performance and sound through the lens of folk horror, psychedelia and oracles. This may or may not add up to something at the end ><
Philippa makes sculptures and installations as a means to explore the ambiguous, magical and sometimes fragile interconnectedness between histories, materials, beliefs and bodies of all kinds.Nostalgia, subcultures and the occult are the portals through which I explore conformity and alternative ways of living. There is an undercurrent of humor that runs through my work with an ominous tension reflecting on the opposing forces, dark and joyful with human experience and nature.
︎ philippabrown.co.uk
During the residency with Arcadecampfa, I will be creating and posting a short film 'sketch' everyday for 12 days between 9th-20th October, a daily Horror-scape. I will use the platform to investigate lo-fi filming and editing, performance and sound through the lens of folk horror, psychedelia and oracles. This may or may not add up to something at the end ><
Philippa makes sculptures and installations as a means to explore the ambiguous, magical and sometimes fragile interconnectedness between histories, materials, beliefs and bodies of all kinds.Nostalgia, subcultures and the occult are the portals through which I explore conformity and alternative ways of living. There is an undercurrent of humor that runs through my work with an ominous tension reflecting on the opposing forces, dark and joyful with human experience and nature.
︎ philippabrown.co.uk
Gweni Llwyd 15.9.23 - 29.9.23
I'm excited to be using the Arcade/Campfa digital residency space to build a bug. This bug may be an experimental multi-layered, digital Frankenstein, who will nest on the cargo site - sharing its secrets, stomach contents and multiplying itself. I aim to investigate ideas of 'bug' as an unexpected problem as well as insect, and how unexpected problems open up space for new ideas.
︎ gwenillwyd.com
I'm excited to be using the Arcade/Campfa digital residency space to build a bug. This bug may be an experimental multi-layered, digital Frankenstein, who will nest on the cargo site - sharing its secrets, stomach contents and multiplying itself. I aim to investigate ideas of 'bug' as an unexpected problem as well as insect, and how unexpected problems open up space for new ideas.
︎ gwenillwyd.com
Owain Train McGilvary & Taluah Thomas 8.9.23 - 23.9.23
TriTRItri
TriTRItri, the word tri (3) repeated in different registers. This work is a kaleidoscopic exploration of queer imagery, sound and spoken word using The Three Crowns (a gay pub that was destroyed by fire in 2014) as it's springboard. The video is a result of various discussions and sharings between McGilvary and Thomas asking the question 'what's Cymraeg queerness anyway'?.
Owain Train McGilvary is an artist from Ynys Môn working with moving image, drawing, painting and collage that is anchored in collaboration. He is interested in modes of communication derived from popular culture and queer vernaculars, through investigating the subcultures that engage with them. Often guided by the tensions between fact and feelings, he devotes projects with people over long periods of time through building trusting relationships that continue beyond the legacy of the work.
Talulah is a DJ, composer & writer from Llangollen. Previous work includes sound design with theatre company Nothing More To Say for ‘52 Monologues for Young Transsexuals’ at Vaults Festival and the Edinburgh Fringe Festival. They were also part of Peak Cymru’s ‘Pegwn’ programme alongside Dylan Huw and Llinos Anwyl, resulting in audio-visual work on the use of language as an artistic and political tool. Talulah’s sound work is rooted in collaboration, community-building & conversations around queerness.
︎ owaintrainmcgilvary.cargo.site
︎ soundcloud.com/user-425474880
TriTRItri
TriTRItri, the word tri (3) repeated in different registers. This work is a kaleidoscopic exploration of queer imagery, sound and spoken word using The Three Crowns (a gay pub that was destroyed by fire in 2014) as it's springboard. The video is a result of various discussions and sharings between McGilvary and Thomas asking the question 'what's Cymraeg queerness anyway'?.
Owain Train McGilvary is an artist from Ynys Môn working with moving image, drawing, painting and collage that is anchored in collaboration. He is interested in modes of communication derived from popular culture and queer vernaculars, through investigating the subcultures that engage with them. Often guided by the tensions between fact and feelings, he devotes projects with people over long periods of time through building trusting relationships that continue beyond the legacy of the work.
Talulah is a DJ, composer & writer from Llangollen. Previous work includes sound design with theatre company Nothing More To Say for ‘52 Monologues for Young Transsexuals’ at Vaults Festival and the Edinburgh Fringe Festival. They were also part of Peak Cymru’s ‘Pegwn’ programme alongside Dylan Huw and Llinos Anwyl, resulting in audio-visual work on the use of language as an artistic and political tool. Talulah’s sound work is rooted in collaboration, community-building & conversations around queerness.
︎ owaintrainmcgilvary.cargo.site
︎ soundcloud.com/user-425474880
Gwenllian Davenport 3.7.23 - 14.7.23
Afoniaieth
Afoniaeth is a made-up Cymraeg word, a blend of two Welsh words: afon + barddoniaeth // river + poetry. Within her online residency, Gwenllian will explore her local rivers' language through sound, film, photography, print and sculpture. Questioning how we might translate a river and discover its afoniaieth.
Gwenllian Davenport is a bilingual artist from Merthyr Tydfil. Her practice explores her identity and her relationship with bilingualism. Gwenllian’s practice is largely inspired by her local landscape and this informs her making and use of materials.
/////
Gair ffug yw Afoniaeth; cyfuniad o ddau air Cymraeg: afon + barddoniaeth. O fewn ei chyfnod preswyl ar-lein, bydd Gwenllian yn archwilio iaith ei hafon leol trwy sain, ffilm, ffotograffiaeth, print a cherflunio, wrth gwestiynu sut y gallem gyfieithu afon a darganfod ei afoniaieth.
Artist dwyieithog o Ferthyr Tudful yw Gwenllian Davenport. Mae ei hymarfer yn archwilio ei hunaniaeth a’i pherthynas â dwyieithrwydd. Mae Gwenllian wedi’i hysbrydoli gan ei thirwedd leol ac mae hyn yn llywio ei dewisiadau o ddeunyddiau a’i ffurf o greu.
︎ www.gwenlliandavenport.co.uk
︎ @gwenlliandavenport
Afoniaieth
Afoniaeth is a made-up Cymraeg word, a blend of two Welsh words: afon + barddoniaeth // river + poetry. Within her online residency, Gwenllian will explore her local rivers' language through sound, film, photography, print and sculpture. Questioning how we might translate a river and discover its afoniaieth.
Gwenllian Davenport is a bilingual artist from Merthyr Tydfil. Her practice explores her identity and her relationship with bilingualism. Gwenllian’s practice is largely inspired by her local landscape and this informs her making and use of materials.
/////
Gair ffug yw Afoniaeth; cyfuniad o ddau air Cymraeg: afon + barddoniaeth. O fewn ei chyfnod preswyl ar-lein, bydd Gwenllian yn archwilio iaith ei hafon leol trwy sain, ffilm, ffotograffiaeth, print a cherflunio, wrth gwestiynu sut y gallem gyfieithu afon a darganfod ei afoniaieth.
Artist dwyieithog o Ferthyr Tudful yw Gwenllian Davenport. Mae ei hymarfer yn archwilio ei hunaniaeth a’i pherthynas â dwyieithrwydd. Mae Gwenllian wedi’i hysbrydoli gan ei thirwedd leol ac mae hyn yn llywio ei dewisiadau o ddeunyddiau a’i ffurf o greu.
︎ www.gwenlliandavenport.co.uk
︎ @gwenlliandavenport
Tom Crawford & Samuel Hasler 15.5.23 - 29.5.23
Tom Crawford and Samuel Hasler take residency online at Arcade Campfa for the next two weeks. Over the past couple of years they have been accumulating an eclectic range of film, text, animation and audio with loose connections to cinema, suburban spaces and the nocturnal, whilst also at times, reflecting on the collaboration process itself.
They will test out and try to make sense of some of this material. The aim is to make stuff that's fun, that has a bit of energy and that has momentum. This will include new collaborative video work and writing.
︎ tcrawford.co.uk
︎ @tomcrwfrd
︎ samuelhasler.co.uk
︎ @samhaslerart
Tom Crawford and Samuel Hasler take residency online at Arcade Campfa for the next two weeks. Over the past couple of years they have been accumulating an eclectic range of film, text, animation and audio with loose connections to cinema, suburban spaces and the nocturnal, whilst also at times, reflecting on the collaboration process itself.
They will test out and try to make sense of some of this material. The aim is to make stuff that's fun, that has a bit of energy and that has momentum. This will include new collaborative video work and writing.
︎ tcrawford.co.uk
︎ @tomcrwfrd
︎ samuelhasler.co.uk
︎ @samhaslerart
Dina Kelberman 1.3.23 - 28.3.23
Dina Kelberman is a multi-media artist who explores human nature through found digital media. Her accumulations create monuments to our pervasive need to connect, create, and destroy. She has created web-based pieces for the New Museum and Marina Abramovic Institute and exhibits internationally. Her work has been written about by The New York Times, Art21, NPR, art theory books and textbooks. In 2019 she completed her first feature-length recontextualization film, The Goal Is To Live and in 2020 she created an entirely new person. She is currently engaged in a long-term residency with Fotomuseum Wintherthur, Switzerland in advance of the exhibition Lure of the Image in 2024.
It’s Probably Whatever You Think It Is is an experimental streaming series in which Dina edits her residency page on the gallery website live as viewers watch. She uploads images, draws on the page, types text, and generally experiments with the capabilities of the Cargo website editor. The stream is accompanied by a soundtrack of minimalist synthesizers that she is trying to learn how to use and samples of her two-year-old child who she is trying to learn how to raise. Hopefully it’s not a giant disaster.
Dina Kelberman is a multi-media artist who explores human nature through found digital media. Her accumulations create monuments to our pervasive need to connect, create, and destroy. She has created web-based pieces for the New Museum and Marina Abramovic Institute and exhibits internationally. Her work has been written about by The New York Times, Art21, NPR, art theory books and textbooks. In 2019 she completed her first feature-length recontextualization film, The Goal Is To Live and in 2020 she created an entirely new person. She is currently engaged in a long-term residency with Fotomuseum Wintherthur, Switzerland in advance of the exhibition Lure of the Image in 2024.
It’s Probably Whatever You Think It Is is an experimental streaming series in which Dina edits her residency page on the gallery website live as viewers watch. She uploads images, draws on the page, types text, and generally experiments with the capabilities of the Cargo website editor. The stream is accompanied by a soundtrack of minimalist synthesizers that she is trying to learn how to use and samples of her two-year-old child who she is trying to learn how to raise. Hopefully it’s not a giant disaster.
Coral Rose Kindred-Boothby - 15.8.22 - 11.9.22
Coral Rose Kindred-Boothby is a musician and maker based in Derbyshire. Under her alias The Silver Field, she has released two LPs of electronic-folk journeys through dream-like environments. In 2021/2022 she was the recipient of an Arts Council DYCP grant focusing on making electronic instruments, and now composing with circuits is a part of her practice.
The Scrubland: an exploration in circuits
Using circuit design and instrument-making to explore an environment of re-wilding industrial space. This is an ongoing project and will be updated throughout the residency.
Coral Rose Kindred-Boothby is a musician and maker based in Derbyshire. Under her alias The Silver Field, she has released two LPs of electronic-folk journeys through dream-like environments. In 2021/2022 she was the recipient of an Arts Council DYCP grant focusing on making electronic instruments, and now composing with circuits is a part of her practice.
The Scrubland: an exploration in circuits
Using circuit design and instrument-making to explore an environment of re-wilding industrial space. This is an ongoing project and will be updated throughout the residency.
Frankie Hedger – 1.8.22 – 31.8.22
Frankie Hedger is an artist based in the Devon country side, having recently graduated in fine art from Cardiff Metropolitan University. Her work is interested in creating a concious art practice, regularly working with materials that achieve both sustainable making processes and functional outcomes.
Art Now, Dinner Later?
Recent explorations led to the use of pasta dough to create artworks with the ultimate purpose of consumption. Frankie Hedger will identify forms of edible materials, demonstrating material lifecycles, challenging perceptions on how art can subsequently be used.
︎ @f__art_
Frankie Hedger is an artist based in the Devon country side, having recently graduated in fine art from Cardiff Metropolitan University. Her work is interested in creating a concious art practice, regularly working with materials that achieve both sustainable making processes and functional outcomes.
Art Now, Dinner Later?
Recent explorations led to the use of pasta dough to create artworks with the ultimate purpose of consumption. Frankie Hedger will identify forms of edible materials, demonstrating material lifecycles, challenging perceptions on how art can subsequently be used.
︎ @f__art_
Alice Rekab and Uma Breakdown
animals don't vibe with disembodied voices
Alice Rekab and Uma Breakdown have been working together since 2017. Their collaborative research examines animistic and fictional narratives which speak to experiences of kinship and isolation, as well as solidarity through the sharing of traumatic experience and the craft of storytelling and world building. For this residency they have produced works in sound, text, and image, that intersect with each other both formally and conceptually while maintaining aspects of their own particularity.
Alice Rekab
︎ alicerekab.com
︎ @alicerekab
Uma Breakdown
︎ umabreakdown.com
︎ @supsupsupwhat
animals don't vibe with disembodied voices
Alice Rekab and Uma Breakdown have been working together since 2017. Their collaborative research examines animistic and fictional narratives which speak to experiences of kinship and isolation, as well as solidarity through the sharing of traumatic experience and the craft of storytelling and world building. For this residency they have produced works in sound, text, and image, that intersect with each other both formally and conceptually while maintaining aspects of their own particularity.
Alice Rekab
︎ alicerekab.com
︎ @alicerekab
Uma Breakdown
︎ umabreakdown.com
︎ @supsupsupwhat
Katayoun Jalilipour
Katayoun Jalilipour is an Iranian-born multidisciplinary artist, performer and writer based in the UK. Through humour, provocation and storytelling, their practice uses the body as the subject to talk about race, gender identity and sexuality. They work in a variety of mediums including video, GIFs, installation and live performance, and use speculative histories and fictions to re-tell stories through a queer lens.
ℭhe𝔰t of 𝔅east𝖘
Draws inspirations from 19th century Iranian art and western christian depictions of saints in paintings, exploring intimacy and violence. Through a series of sculptures, sound, fictional text and drawings, centring a trans and queer experience.
︎ @katayounjalilipour
︎ katayounjalilipour.com
Katayoun Jalilipour is an Iranian-born multidisciplinary artist, performer and writer based in the UK. Through humour, provocation and storytelling, their practice uses the body as the subject to talk about race, gender identity and sexuality. They work in a variety of mediums including video, GIFs, installation and live performance, and use speculative histories and fictions to re-tell stories through a queer lens.
ℭhe𝔰t of 𝔅east𝖘
Draws inspirations from 19th century Iranian art and western christian depictions of saints in paintings, exploring intimacy and violence. Through a series of sculptures, sound, fictional text and drawings, centring a trans and queer experience.
︎ @katayounjalilipour
︎ katayounjalilipour.com
Anya Paintsil
Anya Paintsil is a North West based artist. Born in North Wales in 1993, Anya’s work is influenced by her dual Welsh and Ghanaian heritages; inspired visually by Fante textiles, Anya combines traditional hand rug making techniques and afro hairstyling methods, to create large scale portraits, comprising yarns, braiding hair and human hair. Anya’s practice is largely autobiographical, frequently exploring race and identity outside of metropolitan areas of the UK, along with personal narratives and memories.
Image: Mair a fi
Punch needled wool and arcylic, latch hooked human hair on hessian. 'Mair a fi' is a portrait of my sister, Mair and I as children.
︎ @anyapaintsil
︎ edcrossfineart.com profile
Anya Paintsil is a North West based artist. Born in North Wales in 1993, Anya’s work is influenced by her dual Welsh and Ghanaian heritages; inspired visually by Fante textiles, Anya combines traditional hand rug making techniques and afro hairstyling methods, to create large scale portraits, comprising yarns, braiding hair and human hair. Anya’s practice is largely autobiographical, frequently exploring race and identity outside of metropolitan areas of the UK, along with personal narratives and memories.
Image: Mair a fi
Punch needled wool and arcylic, latch hooked human hair on hessian. 'Mair a fi' is a portrait of my sister, Mair and I as children.
︎ @anyapaintsil
︎ edcrossfineart.com profile
Emma Daman Thomas
Emma Daman Thomas is a musician and artist living in rural Powys, Wales. She’s a founding member of collaborative band Islet and her solo artistic practice includes design, sound and music.
Warm Leveret
Warm Leveret will be a sonic experiment with harp, electronics and voice.
︎ @emmadaman
︎ emmadamanthomas.com
Emma Daman Thomas is a musician and artist living in rural Powys, Wales. She’s a founding member of collaborative band Islet and her solo artistic practice includes design, sound and music.
Warm Leveret
Warm Leveret will be a sonic experiment with harp, electronics and voice.
︎ @emmadaman
︎ emmadamanthomas.com
Jaffrin
Jaffrin is a Welsh Bangladeshi Muslim writer and visual artist based in Cardiff. Her work is an intersectional exploration of the components of her identity and is a means to work through personal trauma whilst being a form of activism.
تزكية - TAZKIYAH - SANCTIFICATION
Following the passing of the month of Ramadan, I will be exploring and creating work in response to the sayings of prophet Muhammad ﷺ and the Quran in regards to the the state of our hearts, the movement from hardness to softness within and the process of purification of the heart.
︎ @_jxffrin
Jaffrin is a Welsh Bangladeshi Muslim writer and visual artist based in Cardiff. Her work is an intersectional exploration of the components of her identity and is a means to work through personal trauma whilst being a form of activism.
تزكية - TAZKIYAH - SANCTIFICATION
Following the passing of the month of Ramadan, I will be exploring and creating work in response to the sayings of prophet Muhammad ﷺ and the Quran in regards to the the state of our hearts, the movement from hardness to softness within and the process of purification of the heart.
︎ @_jxffrin
Ilana Harris-Babou 11.4.21 - 1.5.21
Ilana Harris-Babou’s work is interdisciplinary; spanning sculpture and installation, and grounded in video. She speaks the aspirational language of consumer culture and uses humor as a means to digest painful realities. Her work confronts the contradictions of the American Dream: the ever unreliable notion that hard work will lead to upward mobility and economic freedom.
Feeling Better
In Feeling Better, I will continue my exploration of the wellness industry. In particular, I'll be looking at online fitness courses and health gurus. I'm interested in who gets to be "well," and the ways structural inequities are often framed as individual decisions in the US.
︎ ilanahb.com
Ilana Harris-Babou’s work is interdisciplinary; spanning sculpture and installation, and grounded in video. She speaks the aspirational language of consumer culture and uses humor as a means to digest painful realities. Her work confronts the contradictions of the American Dream: the ever unreliable notion that hard work will lead to upward mobility and economic freedom.
Feeling Better
In Feeling Better, I will continue my exploration of the wellness industry. In particular, I'll be looking at online fitness courses and health gurus. I'm interested in who gets to be "well," and the ways structural inequities are often framed as individual decisions in the US.
︎ ilanahb.com
Michael Kennedy - 1.3.21 - 1.4.21
Michael Kennedy is a cartoonist, writer and visual artist based in Birmingham, UK. His work attempts to capture the intersection of racism’s various media and structural forms and present its multitude of effects on us.
BLACK-OWNED
In an attempt to develop the graphic nature of my recent paper collage works, I’ll be creating absurd comics in the French Abstract Formalist tradition (as coined by Kim Jooha) to accompany a text collaged from newspapers from 2020, that tells the satirical story of someone that willingly becomes “black-owned”.
︎ michaeldkennedy.com
Michael Kennedy is a cartoonist, writer and visual artist based in Birmingham, UK. His work attempts to capture the intersection of racism’s various media and structural forms and present its multitude of effects on us.
BLACK-OWNED
In an attempt to develop the graphic nature of my recent paper collage works, I’ll be creating absurd comics in the French Abstract Formalist tradition (as coined by Kim Jooha) to accompany a text collaged from newspapers from 2020, that tells the satirical story of someone that willingly becomes “black-owned”.
︎ michaeldkennedy.com
Phoebe Davies - 22.2.21 - 7.3.21
Phoebe Davies is a Welsh artist and researcher, based between Somerset House Studios in London and South Wales. She regularly works in response to individuals and communities, generating work through collaboration, collective devising and sharing models of working across different social and cultural sectors. Her outcomes are project dependent, including print, installation, video, and sound and often draw upon methodologies from feminisms, organic farming and athleticism.
HOAX
During her Arcade Campfa residency Phoebe Davies will be developing new work in text and audio. Departing from personal narratives, this work will explore physicality of farm labouring, the perils of pregnancy and Welsh coastal mythology.
︎ phoebedavies.co.uk
Phoebe Davies is a Welsh artist and researcher, based between Somerset House Studios in London and South Wales. She regularly works in response to individuals and communities, generating work through collaboration, collective devising and sharing models of working across different social and cultural sectors. Her outcomes are project dependent, including print, installation, video, and sound and often draw upon methodologies from feminisms, organic farming and athleticism.
HOAX
During her Arcade Campfa residency Phoebe Davies will be developing new work in text and audio. Departing from personal narratives, this work will explore physicality of farm labouring, the perils of pregnancy and Welsh coastal mythology.
︎ phoebedavies.co.uk
︎ View ResidencyMASH - 18.1.21 - 7.2.21
MASH is a collaborative practice between emerging artists Gwenllian Davenport and Abi Charlesworth. Established as an outlet to experiment and support each other after graduating from their BA Fine Art course at Bath School of art and Design in 2019, their ethos as a duo is to make playfully, accept mistakes and to ultimately have fun.
As a collaborative, MASH uses an innovative approach to rethink materials to hand. This explorative way of making allows them to work directly with materials curiously in the moment, producing unknown outcomes. They describe their collaborative making process, simply, as a mashing of ideas, approaches and methods. MASH aims to engage tangibly with materials, making use of the gripping, squelching, patting, smoothing and the spreading of surfaces.
︎ @mashhhhhhhhhhhhhhhhh/
︎ abicharlesworth.co.uk
︎ gwenlliandavenport.co.uk
Si-So
With the support of Arcade-Campfa, MASH will explore the capabilities of remote collaboration. Utilising the online residency to continue their practice, they will exercise the sensibilities of a see- saw (Si-So) by taking it in turns to add, edit, and adapt a new body of work.
MASH is a collaborative practice between emerging artists Gwenllian Davenport and Abi Charlesworth. Established as an outlet to experiment and support each other after graduating from their BA Fine Art course at Bath School of art and Design in 2019, their ethos as a duo is to make playfully, accept mistakes and to ultimately have fun.
As a collaborative, MASH uses an innovative approach to rethink materials to hand. This explorative way of making allows them to work directly with materials curiously in the moment, producing unknown outcomes. They describe their collaborative making process, simply, as a mashing of ideas, approaches and methods. MASH aims to engage tangibly with materials, making use of the gripping, squelching, patting, smoothing and the spreading of surfaces.
︎ @mashhhhhhhhhhhhhhhhh/
︎ abicharlesworth.co.uk
︎ gwenlliandavenport.co.uk
Si-So
With the support of Arcade-Campfa, MASH will explore the capabilities of remote collaboration. Utilising the online residency to continue their practice, they will exercise the sensibilities of a see- saw (Si-So) by taking it in turns to add, edit, and adapt a new body of work.
Tulani Hlalo - 23.11.20 - 23.12.20
Based in Manchester, Tulani Hlalo works with textiles, video, sound, sculpture and performance; using her work to explore identity and heritage.
︎ tulanihlalo.com
As Shape Not As Sign Of Human Or Narrative (iii)
As Shape Not As Sign Of Human Or Narrative (iii) is a continuation of a body of work further exploring the abstraction of the body through a series of life casts and videos.
Based in Manchester, Tulani Hlalo works with textiles, video, sound, sculpture and performance; using her work to explore identity and heritage.
︎ tulanihlalo.com
As Shape Not As Sign Of Human Or Narrative (iii)
As Shape Not As Sign Of Human Or Narrative (iii) is a continuation of a body of work further exploring the abstraction of the body through a series of life casts and videos.
Hannes Schievink & Noa Zuidervaart - 15.6.20 - 15.7.20
Hannes Schievink is a Dutch artist based in Zwolle, the Netherlands. His work mostly focusses on existential questioning, but make it fun. Themes like religion and identity collide with fun and campy imagery and text.
︎ hannesschievink.nl
Noa Zuidervaart is an artist based in Zwolle, the Netherlands. His work focuses primarily on character and narrative based illustrations that take the form of fictional memoirs.
︎ noazuidervaart.nl
E-xodus
Hannes Schievink & Noa Zuidervaart will be creating a webcomic together via e-mail which follows two parties fleeing an undefined danger on Earth and will be a mix of campy science-fiction, drama and existentialism.
Hannes Schievink is a Dutch artist based in Zwolle, the Netherlands. His work mostly focusses on existential questioning, but make it fun. Themes like religion and identity collide with fun and campy imagery and text.
︎ hannesschievink.nl
Noa Zuidervaart is an artist based in Zwolle, the Netherlands. His work focuses primarily on character and narrative based illustrations that take the form of fictional memoirs.
︎ noazuidervaart.nl
E-xodus
Hannes Schievink & Noa Zuidervaart will be creating a webcomic together via e-mail which follows two parties fleeing an undefined danger on Earth and will be a mix of campy science-fiction, drama and existentialism.
GWENBA - 1.6.20 - 1.7.20
I’m interested in exploring communication and connection through the digital realm, mimicking the forms of Nature in the process. Creating growths that speak in data’d tongue /= hieroglyphs that read in emojis sprawled onto rock segments.. microbial MyCelium Systems - (the twitter for mushrooms) and creating a symbiotic language between nature&data:
︎ gwenba.wixsite.com
*earth:born*
— is a collection of archived&ongoing work that explores the relationship between organic and virtual spaces, forming digital growths from the earth’s core with performance, sound, video, text & new:media experiments. / —
I’m interested in exploring communication and connection through the digital realm, mimicking the forms of Nature in the process. Creating growths that speak in data’d tongue /= hieroglyphs that read in emojis sprawled onto rock segments.. microbial MyCelium Systems - (the twitter for mushrooms) and creating a symbiotic language between nature&data:
︎ gwenba.wixsite.com
*earth:born*
— is a collection of archived&ongoing work that explores the relationship between organic and virtual spaces, forming digital growths from the earth’s core with performance, sound, video, text & new:media experiments. / —
Ian Watson - 25.5.20 - 25.6.20
Ian Watson is a Cardiff based artist currently taking part in the G39 Fellowship with support from Freelands Foundation.
︎ @_i_a_n__w_a_t_s_o_n_/
The Path (2020)
Considering the birth of the first city, the weight of ambition, material waste and a zombie coerced into drinking bin juice. Here at the hard edges exists a place where nature rewards us with fruit despite the seemingly unsympathetic terrain.
The script to The Path can be viewed/downloaded below.
︎ The Path
Ian Watson is a Cardiff based artist currently taking part in the G39 Fellowship with support from Freelands Foundation.
︎ @_i_a_n__w_a_t_s_o_n_/
The Path (2020)
Considering the birth of the first city, the weight of ambition, material waste and a zombie coerced into drinking bin juice. Here at the hard edges exists a place where nature rewards us with fruit despite the seemingly unsympathetic terrain.
The script to The Path can be viewed/downloaded below.
︎ The Path
Luke Humphries - 17.4.20 - 17.5.20
Luke Humphries is an artist, writer and guitar player. ︎ http://lukehumphries.cargo.site
DAILY STORY
Luke Humphries will be writing new short stories exploring staying indoors and isolation, updated daily.
RETURN OF THE BEAN BIRDS
Luke Humphries, Anna Palmer
Following his residency with ArcadeCampfa, Luke Humphries commissioned musician, performer and sound artist Anna Palmer to compose and record a piece of music based on one of the stories. The music accompanies a video created by Luke.
Anna Palmer
︎ annapalmermusic.wixsite.com
Luke Humphries is an artist, writer and guitar player. ︎ http://lukehumphries.cargo.site
DAILY STORY
Luke Humphries will be writing new short stories exploring staying indoors and isolation, updated daily.
RETURN OF THE BEAN BIRDS
Luke Humphries, Anna Palmer
Following his residency with ArcadeCampfa, Luke Humphries commissioned musician, performer and sound artist Anna Palmer to compose and record a piece of music based on one of the stories. The music accompanies a video created by Luke.
Anna Palmer
︎ annapalmermusic.wixsite.com
