Celtic Blind Date
ArcadeCampfa & Muine Bheag Arts
Esyllt Angharad Lewis & Rónán O’Raghallaigh
Celtic Blind Date is a collaboration between artists Esyllt Angharad Lewis and Rónán O'Raghallaigh. The artists conducted a series of remote collaborative exchanges between Ireland and Wales, which included video calls, language-based experiments, a DIY seance and mail art.
In this episode we join Esyllt and Rónán on their journey to the underworld, as they explore the intersections between Celtic language, folklore and the surreal.
This project came about as a result of an invitation from Welsh artist-run organisation ArcadeCampfa and Muine Bheag Arts, to explore questions of place and language through broadcast and print.
ArcadeCampfa & Muine Bheag Arts
Esyllt Angharad Lewis & Rónán O’Raghallaigh
Celtic Blind Date is a collaboration between artists Esyllt Angharad Lewis and Rónán O'Raghallaigh. The artists conducted a series of remote collaborative exchanges between Ireland and Wales, which included video calls, language-based experiments, a DIY seance and mail art.
In this episode we join Esyllt and Rónán on their journey to the underworld, as they explore the intersections between Celtic language, folklore and the surreal.
This project came about as a result of an invitation from Welsh artist-run organisation ArcadeCampfa and Muine Bheag Arts, to explore questions of place and language through broadcast and print.
Join us to celebrate the launch of Celtic Blind Date, a collaboration between ArcadeCampfa and MuineBheag, with artists Esyllt Lewis and Rónán Ó Raghallaigh . We will be chatting about the project as well as launching a new radio piece and publication created during the project.
Monday 28 September, 7pm - 8pm, online, link in bio /// Bígí linn chun Celtic Blind Date a cheiliúradh, comhoibriú idir Arcade Campfa agus Muine Bheag Arts, le healaíontóirí Esyllt Lewis agus Rónán Ó Raghallaigh. Beimid ag caint faoin tionscadal, agus ag seoladh saothar raidió úr agus foilseachán a chruthú i rith an próiseas.
Dé Luain, 28ú Meán Fómhair, 7pm - 8pm /// Ymunwch â ni ar ddêt arbennig i ddathlu Celtic Blind Date, cywaith rhwng ArcadeCampfa a MuineBheag, gyda’r artistiaid Esyllt Lewis a Rónán Ó Raghallaigh. Byddwn yn sgwrsio am y project ynghyd â lansio rhaglen radio a chyhoeddiad print newydd a grëwyd wrth gydweithio. Dydd Llun 28 Medi, 7yh-8yh
Thanks to Arts Council Wales and Carlow County Council.
Monday 28 September, 7pm - 8pm, online, link in bio /// Bígí linn chun Celtic Blind Date a cheiliúradh, comhoibriú idir Arcade Campfa agus Muine Bheag Arts, le healaíontóirí Esyllt Lewis agus Rónán Ó Raghallaigh. Beimid ag caint faoin tionscadal, agus ag seoladh saothar raidió úr agus foilseachán a chruthú i rith an próiseas.
Dé Luain, 28ú Meán Fómhair, 7pm - 8pm /// Ymunwch â ni ar ddêt arbennig i ddathlu Celtic Blind Date, cywaith rhwng ArcadeCampfa a MuineBheag, gyda’r artistiaid Esyllt Lewis a Rónán Ó Raghallaigh. Byddwn yn sgwrsio am y project ynghyd â lansio rhaglen radio a chyhoeddiad print newydd a grëwyd wrth gydweithio. Dydd Llun 28 Medi, 7yh-8yh
Thanks to Arts Council Wales and Carlow County Council.
Risograph Residency
ArcadeCampfa & Vale of Glamorgan Libraries
Dela Anderson
My research started in the Barry library reference section which houses old tourism guidebooks, maps, newspapers and local history books. I’ve been looking into places in Barry that have been closed down, demolished or ‘revamped’ beyond recognition.
I then engaged with local people who use the library (especially those who are 50+) by running a memory sharing drop-in activity and also workshops with the local crochet and creative writing groups. I’ve been asking family members for their stories, and of course I’ve been making the most of online resources like the People’s Collection and local history groups like Old Barry in Pictures and The Original Barry Past and Present Group - Facebook is a goldmine of local history.
Reminiscing is contagious and people have been really keen to look through old photos and share stories with me and with each other. They want to talk about what’s changing - people don’t just hang out on the street anymore; fields where kids used to roam have now been developed into housing; high streets are in decline; the fairground is past glory days; countless pubs, clubs and restaurants have struggled and eventually closed down. People miss that Barry used to have three cinemas, the knap lido, Bindles ballroom, a buzzing high street, and the most famous steam train scrapyard in the UK.
It’s clear from speaking with people that leisure habits are changing with each generation but are also becoming increasingly commodified, with fewer ‘third spaces’ that are accessible to everyone, and truly public places like parks feeling unloved and neglected.
I’ve become increasingly interested in the amusement park token as a symbol for the commodification of leisure time and a potential relic of places that just weren’t profitable enough to survive. I am currently working on pulling together the writing and visuals for the zine I’ll produce which will be informed by these thoughts, the research and the people of Barry’s memories.
Life truly is a rollercoaster, and you have to pay to ride it.
︎ @dela.anderson.celf
ArcadeCampfa & Vale of Glamorgan Libraries
Dela Anderson
My research started in the Barry library reference section which houses old tourism guidebooks, maps, newspapers and local history books. I’ve been looking into places in Barry that have been closed down, demolished or ‘revamped’ beyond recognition.
I then engaged with local people who use the library (especially those who are 50+) by running a memory sharing drop-in activity and also workshops with the local crochet and creative writing groups. I’ve been asking family members for their stories, and of course I’ve been making the most of online resources like the People’s Collection and local history groups like Old Barry in Pictures and The Original Barry Past and Present Group - Facebook is a goldmine of local history.
Reminiscing is contagious and people have been really keen to look through old photos and share stories with me and with each other. They want to talk about what’s changing - people don’t just hang out on the street anymore; fields where kids used to roam have now been developed into housing; high streets are in decline; the fairground is past glory days; countless pubs, clubs and restaurants have struggled and eventually closed down. People miss that Barry used to have three cinemas, the knap lido, Bindles ballroom, a buzzing high street, and the most famous steam train scrapyard in the UK.
It’s clear from speaking with people that leisure habits are changing with each generation but are also becoming increasingly commodified, with fewer ‘third spaces’ that are accessible to everyone, and truly public places like parks feeling unloved and neglected.
I’ve become increasingly interested in the amusement park token as a symbol for the commodification of leisure time and a potential relic of places that just weren’t profitable enough to survive. I am currently working on pulling together the writing and visuals for the zine I’ll produce which will be informed by these thoughts, the research and the people of Barry’s memories.
Life truly is a rollercoaster, and you have to pay to ride it.
︎ @dela.anderson.celf
Yn adran gyfeiriadurol llyfrgell y Barri ddechreuodd fy ymchwil. Dyma ofod sy’n gartref i hen lyfrau canllaw i dwristiaid, mapiau, papurau newydd a llyfrau hanes lleol. Dwi wedi bod yn edrych ar lefydd yn Y Barri sydd wedi cau, wedi eu dinistrio neu wedi cael eu hailwampio tu hwnt i bob adnabyddiaeth.
Bues i’n ymgysylltu gyda phobl leol sy’n defnyddio’r llyfrgell (yn enwedig rheiny sydd dros 50+ oed) drwy gynnal gweithgaredd galw i mewn a rhannu atgofion, a bues i hefyd yn cynnal gweithdai gyda’r grwpiau crosio ac ysgrifennu creadigol lleol. Dwi wedi bod yn holi aelodau o’r teulu am eu straeon, ac wrth gwrs dwi wedi bod yn manteisio ar yr adnoddau arlein, megis Casgliad y Werin a grwpiau hanes lleol fel Old Barry in Pictures a The Original Barry Past and Present Group – mae Facebook yn drysorfa o hanes lleol.
Mae hel atgofion yn beth heintus ac mae pobl wedi bod yn awyddus iawn i edrych drwy hen luniau a rhannu straeon gyda fi a phobl eraill. Maen nhw wedi bod yn sgwrsio ynglŷn â’r hyn sy’n newid – dyw pobl ddim yn ymgasglu ar y stryd bellach; mae caeau lle y bu plant unwaith yn crwydro wedi cael eu troi’n dai; mae’r stryd fawr yn marw; mae oes aur y ffair wedi hen basio; mae tafarndai, clybiau a bwytai dirifedi wedi stryglan ac yn y pen draw wedi cau. Mae pobl yn gweld eisiau’r ffaith fod tair sinema yn y Barri ar un adeg, yn ogystal â phwll nofio’r Cnap, ystafell ddawnsio Bindles, stryd fawr llawn bwrlwm, a’r iard sgrap trenau stêm mwyaf enwog yn y DU.
Mae’n amlwg wrth siarad â phobl fod arferion hamdden yn newid gyda phob cenhedlaeth ond maen nhw hefyd yn dod yn fwyfwy masnachol, gyda llai o fynediad at ‘y trydydd lle’ hwnnw sy’n hygyrch i bawb, gyda gofodau gwirioneddol gyhoeddus megis parciau yn mynd yn angof ac yn annibenni.
Mae gen i ddiddordeb cynyddol yn y tocynnau a ddefnyddiwyd mewn parciau adloniant, maen nhw fel pe baent yn symbol o’r broses o fasnacheiddio ein hamser hamdden, ac efallai fel un o’r creiriau sydd dros ben o’r llefydd hynny nad oedd yn gwneud digon o elw i oroesi. Ar hyn o bryd dwi’n gweithio ar gynnull y gwaith sgwennu a’r gwaith gweledol ar gyfer y zine y byddaf yn ei gynhyrchu a fydd yn cael ei fwydo gan y meddyliau hyn, yr ymchwil ac atgofion pobl Y Barri.
Reid yw bywyd, ac mae’n rhaid i ti fod yn barod i dalu.
Ar ddechrau fy mhreswyliad, Your Words Belong Here Too, pethau ymarferol oedd yn bwysig: logo, copi ar gyfer y project, cynllun cyfranogi, a dril!
Mae ymgysylltu cymunedol yn gofyn am gryn dipyn o baratoi cyn gallu casglu unrhyw eiriau. Fel rhan o’r gwaith paratoadol, mi wnes i ganfod bocsys casgliad a’u diwygio nhw fy hun gan ddefnyddio dril a Dremel i greu slotiau ar gyfer ymatebion. Mae’r rhain bellach yn eistedd ar ddesgiau derbynfeydd Llyfrgell Y Barri a Phenarth, a dyma fy ngweithred cyntaf o ‘greu’.
O’r man hwnnw, dechreuais weithio’n uniongyrchol gyda grwpiau sy’n defnyddio’r llyfrgelloedd yn gyson, gan gynnwys y Grŵp Sgwennwyr, y grŵp Ffrindiau a Chymdogion (FAN), a Gwenwch mae’n ddydd Gwener (Feel Good Friday). Roedd Simon a Chloe o’r Gofodau Creu (Makerspaces) yn hollol wych wrth helpu fi i gysylltu â grwpiau sydd eisoes yn bodoli a chyflwyno’r project i gyfranogwyr newydd.
Ar y cyd â hyn, mi wnes i lansio fersiwn o’r project arlein fel bod unrhyw un sy’n gysylltiedig â’r llyfrgelloedd, y Creudy, neu Bro Morgannwg yn ehangach yn gallu cymryd rhan. Mae modd cyfrannu o hyd, a gall pobl gyfrannu eu gobeithion, ofnau, breuddwydion a’u hatgofion nail ai arlein (yn https://forms.gle/rMqysg2yMXK4JDbu9) neu yn y cnawd.
Drwy gydol mis Mai, bues i’n treulio amser yn yr ardaloedd cyhoeddus tu allan i’r ddau Ofod Creu, gan sgwrsio gydag ymwelwyr a chasglu eu hymatebion. Gyda bwnshed mawr o binau ffelt lliwgar a phentyrrau o bapur lliw enfys yn fy nwylo, mi wnes i annog pobl i rannu eu geiriau a’u straeon. Mae lliw, creadigrwydd a sbort yn ganolog i fy ngwaith, a’r project hwn.
Hyd yn hyn, mae tua 75 o bobl wedi cymryd rhan, gyda nifer yn cyfrannu ymatebion i bob un o’r pedair thema. Mae wedi bod yn hyfryd i weld yr amrywiaeth, y gonestrwydd a’r dychymyg sy’n rhan o’r cyfraniadau hyn.
Bob Dydd Llun dwi’n gweithio o Ofod Creu Y Barri, gan ddatblygu darnau gosodiad a ysbrydolwyd gan y geiriau a gasglwyd. Ym Mhenarth, mae un gosodiad eisoes yn dechrau siapio a bydd yn parhau i dyfu o wythnos i wythnos, a bydd gosodiad rhyngweithiol ar gyfer y Barri ar gael yn fuan.
Mae mis Mehefin yn gofyn am newid cywair rhywfaint. Ar y cyd â pharhau i gasglu geiriau, byddaf yn creu darnau o emwaith wedi eu hysbrydoli gan gyfraniadau’r cyfranogwyr, gan archwilio sut y gall ofn, breuddwyd, gobaith neu atgof gael ei drawsnewid yn rhywbeth cyffyrddadwy, gwisgadwy, neu hyd yn oed yn rhywbeth prydferth.
Yr hyn sy’n ganolog i Your Words Belong Here Too yw cydnabod fod geiriau a straeon pobl gyffredin yr un mor bwysig â’r straeon sy’n bodoli mewn llyfrau. Gobeithiaf y byddwch chi hefyd yn cyfrannu eich straeon eich hunain, ac efallai y byddwch yn ymuno â ni ar gyfer y digwyddiadau dathliadol sy’n digwydd ym mis Gorffennaf.
Makerspace Residency /// Preswyliad Lle Creu
ArcadeCampfa & Vale of Glamorgan Libraries
Mab Jones
My residency, Your Words Belong Here Too, began with practicalities: a logo, project copy, a participation plan, and a drill!
Community engagement requires quite a lot of preparation before any words are gathered. As part of the set-up, I sourced collection boxes and modified them myself using a drill and Dremel to create slots for responses. These now sit on the reception desks in both Barry and Penarth Libraries, making them my first act of ‘making’.
From there, I began working directly with groups that regularly use the libraries, including the Writers Group, the Friends, Neighbours (FAN) group, and Feel Good Friday. Simon and Chloe at the Makerspaces were invaluable in helping me connect with existing groups and introducing the project to new participants.
Alongside this, I launched an online version of the project so that anyone connected to the libraries, Makerspaces, or the wider Vale of Glamorgan could take part. Participation remains open, and people can contribute their hopes, fears, dreams and memories either online (at https://forms.gle/rMqysg2yMXK4JDbu9) or in person.
Throughout May, I spent time in the public areas outside both Makerspaces, talking to visitors and collecting responses. Armed with an oversized bouquet of colourful pens and piles of rainbow paper, I encouraged people to share their words and stories. Colour, creativity and a sense of fun are central to both my work and this project.
So far, around 75 people have participated, many contributing responses to all four themes. It's been wonderful to see the variety, honesty and imagination contained in these contributions.
Every Monday I work from Barry Makerspace, developing installation pieces inspired by the collected words. In Penarth, one installation is already beginning to take shape and will continue to grow week by week, while an interactive installation for Barry will be out shortly.
June brings a slight shift in focus. Alongside continuing to collect words, I'll be creating jewellery pieces inspired by participants' contributions, exploring how a fear, dream, hope or memory might be transformed into something tactile, wearable, or even beautiful.
At heart, Your Words Belong Here Too is about recognising that people's words and stories matter just as much as those we find in books. I hope you'll contribute your own, and perhaps join us for the celebration events taking place in July.
ArcadeCampfa & Vale of Glamorgan Libraries
Mab Jones
My residency, Your Words Belong Here Too, began with practicalities: a logo, project copy, a participation plan, and a drill!
Community engagement requires quite a lot of preparation before any words are gathered. As part of the set-up, I sourced collection boxes and modified them myself using a drill and Dremel to create slots for responses. These now sit on the reception desks in both Barry and Penarth Libraries, making them my first act of ‘making’.
From there, I began working directly with groups that regularly use the libraries, including the Writers Group, the Friends, Neighbours (FAN) group, and Feel Good Friday. Simon and Chloe at the Makerspaces were invaluable in helping me connect with existing groups and introducing the project to new participants.
Alongside this, I launched an online version of the project so that anyone connected to the libraries, Makerspaces, or the wider Vale of Glamorgan could take part. Participation remains open, and people can contribute their hopes, fears, dreams and memories either online (at https://forms.gle/rMqysg2yMXK4JDbu9) or in person.
Throughout May, I spent time in the public areas outside both Makerspaces, talking to visitors and collecting responses. Armed with an oversized bouquet of colourful pens and piles of rainbow paper, I encouraged people to share their words and stories. Colour, creativity and a sense of fun are central to both my work and this project.
So far, around 75 people have participated, many contributing responses to all four themes. It's been wonderful to see the variety, honesty and imagination contained in these contributions.
Every Monday I work from Barry Makerspace, developing installation pieces inspired by the collected words. In Penarth, one installation is already beginning to take shape and will continue to grow week by week, while an interactive installation for Barry will be out shortly.
June brings a slight shift in focus. Alongside continuing to collect words, I'll be creating jewellery pieces inspired by participants' contributions, exploring how a fear, dream, hope or memory might be transformed into something tactile, wearable, or even beautiful.
At heart, Your Words Belong Here Too is about recognising that people's words and stories matter just as much as those we find in books. I hope you'll contribute your own, and perhaps join us for the celebration events taking place in July.
Exhibition 30.5.26 – 29.8.26
ArcadeCampfa & Chapter Arts
Lu Williams
Acquisition Ongoing: Carbon Age Souvenirs is a new exhibition by artist Lu Williams. This installation in our café transforms the everyday environment into a speculative “gift shop”.
A series of sculptures combining resin, light and digital technologies reinterpret the fridge magnet as a future relic. Across these works and print paraphernalia, Williams explores how value is assigned to the ordinary and how memory is preserved, replicated and circulated in the era of AI.
Drawing on research into social history and the practices of collecting and replication, this fictional lens explores the familiar language of souvenirs – objects that are collected, gifted and handed down – offering a way to examine class, aspiration and taste.
Williams invites you to investigate how your daily life could be portrayed in the future. You’re invited to contribute designs to the evolving installation, using posters and zine templates, producing a collective reflection on memory, value and the afterlives of ordinary things.
How ordinary would your life look in hundreds of years’ time?
Join us for the opening celebration on Friday 29 May from 6–8pm. You can make magnet relics, add to the artwork and get a temporary tattoo! Free to drop in.
Lu Williams is an artist working across sculpture, print, zines and socially engaged projects. Their practice explores social history, labour and accessibility through the lens of queerness, neurodivergence and working-class experience. Drawing on processes of collecting, replication and distribution, Williams elevates everyday objects and overlooked cultural materials. They are the founder of Grrrl Zine Fair and co-founder of Dog Ear.
ArcadeCampfa & Chapter Arts
Lu Williams
Acquisition Ongoing: Carbon Age Souvenirs is a new exhibition by artist Lu Williams. This installation in our café transforms the everyday environment into a speculative “gift shop”.
A series of sculptures combining resin, light and digital technologies reinterpret the fridge magnet as a future relic. Across these works and print paraphernalia, Williams explores how value is assigned to the ordinary and how memory is preserved, replicated and circulated in the era of AI.
Drawing on research into social history and the practices of collecting and replication, this fictional lens explores the familiar language of souvenirs – objects that are collected, gifted and handed down – offering a way to examine class, aspiration and taste.
Williams invites you to investigate how your daily life could be portrayed in the future. You’re invited to contribute designs to the evolving installation, using posters and zine templates, producing a collective reflection on memory, value and the afterlives of ordinary things.
How ordinary would your life look in hundreds of years’ time?
Join us for the opening celebration on Friday 29 May from 6–8pm. You can make magnet relics, add to the artwork and get a temporary tattoo! Free to drop in.
❣
Lu Williams is an artist working across sculpture, print, zines and socially engaged projects. Their practice explores social history, labour and accessibility through the lens of queerness, neurodivergence and working-class experience. Drawing on processes of collecting, replication and distribution, Williams elevates everyday objects and overlooked cultural materials. They are the founder of Grrrl Zine Fair and co-founder of Dog Ear.
Commissioned by Arcade Campfa in partnership with Chapter.
Comisiynwyd gan Arcade Campfa mewn partneriaeth â Chapter.
Arddangosfa newydd gan yr artist Lu Williams yw Acquisition Ongoing: Carbon Age Souvenirs. Mae’r gosodwaith yma yn ein caffi yn trawsnewid yr amgylchedd bob dydd yn “siop roddion” ddyfaliadol.
Mae cyfres o gerfluniau yn cyfuno resin, golau a thechnolegau digidol i ail-ddehongli’r magnet oergell fel crair yn y dyfodol. Ar draws y gwaith a’r paraffernalia print yma, mae Lu yn archwilio sut caiff gwerth ei ddynodi i’r cyffredin a sut caiff cof ei gadw, ei ddyblygu, a’i gylchredeg yn oes deallusrwydd artiffisial.
Gan ddefnyddio ymchwil i hanes cymdeithasol ac arferion casglu ac atgynhyrchu, mae’r lens ffuglennol yma’n archwilio iaith gyfarwydd y cofrodd – gwrthrychau sy’n cael eu casglu, eu rhoi, a’u pasio i lawr – gan gynnig ffordd o archwilio dosbarth, dyhead a chwaeth.
Mae Lu Williams yn eich gwahodd i ymchwilio sut gallai eich bywyd beunyddiol gael ei bortreadu yn y dyfodol. Mae gwahoddiad i chi gyfrannu dyluniadau i’r gosodwaith esblygol, gan ddefnyddio templedi cylchgronau a phosteri, i gynhyrchu cyd-fyfyrdod ar gof, gwerth, ac ôl-fywyd pethau cyffredin.
Pa mor gyffredin fyddai eich bywyd yn edrych mewn cannoedd o flynyddoedd?
Ymunwch â ni yn y dathliad agoriadol nos Wener 29 Mai 6–8pm. Gallwch greu creiriau magnet, ychwanegu at y gwaith celf, a chael tatŵ dros dro! Galwch heibio am ddim.
Artist sy’n gweithio ar draws cerflunwaith, print, cylchgronau a phrosiectau cymdeithasol yw Lu Williams. Mae eu harfer yn archwilio hanes cymdeithasol, llafur, a hygyrchedd drwy lens cwiardod, niwroamrywiaeth, a phrofiad dosbarth gweithiol. Gan dynnu ar brosesau casglu, atgynhyrchu a dosbarthu, mae Lu yn dyrchafu gwrthrychau bob dydd a deunyddiau diwylliannol sy’n cael eu diystyru. Nhw yw sylfaenydd Grrrl Zine Fair a chyd-sylfaenydd Dog Ear.
Mae cyfres o gerfluniau yn cyfuno resin, golau a thechnolegau digidol i ail-ddehongli’r magnet oergell fel crair yn y dyfodol. Ar draws y gwaith a’r paraffernalia print yma, mae Lu yn archwilio sut caiff gwerth ei ddynodi i’r cyffredin a sut caiff cof ei gadw, ei ddyblygu, a’i gylchredeg yn oes deallusrwydd artiffisial.
Gan ddefnyddio ymchwil i hanes cymdeithasol ac arferion casglu ac atgynhyrchu, mae’r lens ffuglennol yma’n archwilio iaith gyfarwydd y cofrodd – gwrthrychau sy’n cael eu casglu, eu rhoi, a’u pasio i lawr – gan gynnig ffordd o archwilio dosbarth, dyhead a chwaeth.
Mae Lu Williams yn eich gwahodd i ymchwilio sut gallai eich bywyd beunyddiol gael ei bortreadu yn y dyfodol. Mae gwahoddiad i chi gyfrannu dyluniadau i’r gosodwaith esblygol, gan ddefnyddio templedi cylchgronau a phosteri, i gynhyrchu cyd-fyfyrdod ar gof, gwerth, ac ôl-fywyd pethau cyffredin.
Pa mor gyffredin fyddai eich bywyd yn edrych mewn cannoedd o flynyddoedd?
Ymunwch â ni yn y dathliad agoriadol nos Wener 29 Mai 6–8pm. Gallwch greu creiriau magnet, ychwanegu at y gwaith celf, a chael tatŵ dros dro! Galwch heibio am ddim.
❣
Artist sy’n gweithio ar draws cerflunwaith, print, cylchgronau a phrosiectau cymdeithasol yw Lu Williams. Mae eu harfer yn archwilio hanes cymdeithasol, llafur, a hygyrchedd drwy lens cwiardod, niwroamrywiaeth, a phrofiad dosbarth gweithiol. Gan dynnu ar brosesau casglu, atgynhyrchu a dosbarthu, mae Lu yn dyrchafu gwrthrychau bob dydd a deunyddiau diwylliannol sy’n cael eu diystyru. Nhw yw sylfaenydd Grrrl Zine Fair a chyd-sylfaenydd Dog Ear.