Online 1.3.23 - 28.3.23
It’s Probably Whatever You Think It Is - Dina Kelberman
It’s Probably Whatever You Think It Is is an experimental streaming series in which Dina edits her residency page on the gallery website live as viewers watch. She uploads images, draws on the page, types text, and generally experiments with the capabilities of the Cargo website editor. The stream is accompanied by a soundtrack of minimalist synthesizers that she is trying to learn how to use and samples of her two-year-old child who she is trying to learn how to raise. Hopefully it’s not a giant disaster.
Dina Kelberman is a multi-media artist who explores human nature through found digital media. Her accumulations create monuments to our pervasive need to connect, create, and destroy. She has created web-based pieces for the New Museum and Marina Abramovic Institute and exhibits internationally. Her work has been written about by The New York Times, Art21, NPR, art theory books and textbooks. In 2019 she completed her first feature-length recontextualization film, The Goal Is To Live and in 2020 she created an entirely new person. She is currently engaged in a long-term residency with Fotomuseum Wintherthur, Switzerland in advance of the exhibition Lure of the Image in 2024.
It’s Probably Whatever You Think It Is - Dina Kelberman
It’s Probably Whatever You Think It Is is an experimental streaming series in which Dina edits her residency page on the gallery website live as viewers watch. She uploads images, draws on the page, types text, and generally experiments with the capabilities of the Cargo website editor. The stream is accompanied by a soundtrack of minimalist synthesizers that she is trying to learn how to use and samples of her two-year-old child who she is trying to learn how to raise. Hopefully it’s not a giant disaster.
Dina Kelberman is a multi-media artist who explores human nature through found digital media. Her accumulations create monuments to our pervasive need to connect, create, and destroy. She has created web-based pieces for the New Museum and Marina Abramovic Institute and exhibits internationally. Her work has been written about by The New York Times, Art21, NPR, art theory books and textbooks. In 2019 she completed her first feature-length recontextualization film, The Goal Is To Live and in 2020 she created an entirely new person. She is currently engaged in a long-term residency with Fotomuseum Wintherthur, Switzerland in advance of the exhibition Lure of the Image in 2024.
Campfa 4.2.23 - 25.3.23
y sws mewn pinc - esyllt angharad lewis
y sws mewn pinc yw arddangosfa unigol gyntaf esyllt angharad lewis. Wrth chwarae rhwng argraffu, perfformio, gosodwaith, castio, arlunio a sain, mae’n cwestiynu i ba raddau y gellir ystyried cyfieithu, ar draws ieithoedd, cyfryngau a phrosesau, fel bwa.
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y sws mewn pinc is esyllt angharad lewis’s first solo exhibition. Playing across print, performance, installation, casting, drawing and sound, this body of work questions whether translation - through languages, mediums and processes - can be viewed as an arch.
︎ Exhibition Text
︎ esylltangharadlewis.com
︎ @esylltesylit
y sws mewn pinc - esyllt angharad lewis
y sws mewn pinc yw arddangosfa unigol gyntaf esyllt angharad lewis. Wrth chwarae rhwng argraffu, perfformio, gosodwaith, castio, arlunio a sain, mae’n cwestiynu i ba raddau y gellir ystyried cyfieithu, ar draws ieithoedd, cyfryngau a phrosesau, fel bwa.
////////////////////////////
y sws mewn pinc is esyllt angharad lewis’s first solo exhibition. Playing across print, performance, installation, casting, drawing and sound, this body of work questions whether translation - through languages, mediums and processes - can be viewed as an arch.
︎ Exhibition Text
︎ esylltangharadlewis.com
︎ @esylltesylit
